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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This w...

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Excerpt from Dutch Painting in the Nineteenth CenturyIf, nevertheless, we insist upon considering these three painters as offshoots of our great century, then we must needs add that they were the last effort of an exhausted soil. The art of painting declined into the art of decoration or scene-painting, the pain ter's workshop was transformed into the tapestry factory. The minute, concentrated charm of our socalled little masters expanded itse...

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Excerpt from Dutch Painting in the Nineteenth CenturyIf, nevertheless, we insist upon considering these three painters as offshoots of our great century, then we must needs add that they were the last effort of an exhausted soil. The art of painting declined into the art of decoration or scene-painting, the pain ter's workshop was transformed into the tapestry factory. The minute, concentrated charm of our socalled little masters expanded itse...

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Gerharda/Grada Hermina Marius (1854-1919) was a Dutch art historian, critic, and painter. She studied at the Amsterdam Academy of Fine Arts, and in 1883 lived in The Hague. Between 1895 and 1907, she was art critic for the newspaper Het Vaderland, and from 1907-1916, for Het Nieuws van den Dag. She authored and translated many works on art and artists.